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Our Catalog
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ErosIon, by Nancy A. Henry
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Language as a Second Language, by Ted Bookey
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Be Careful What You Wish For, by Alice N. Persons
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Driftland, by Michael Macklin
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Whispers, Cries, & Tantrums, by Jay C. Davis
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Never say Never, by Alice N. Persons
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Sex, Death, and Baseball, by David Moreau
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Humming to Snails, by Ellen M. Taylor
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The Flame and the Fiction, by Darcy Shargo
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Europe on $5 a Day, by Nancy A. Henry
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Laundry and Stories, by Robin Merrill
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A Sense of Place: Collected Maine Poems, by Bay River Press
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Walking Track, by Jay Franzel
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Ways of Looking, by Edward J. Rielly
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Things As They Are, by Eva Miodownik Oppenheim
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A Moxie and a Moon Pie: The Best of Moon Pie Press, by Nancy A. Henry and Alice N. Persons, Editors
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Traveling Through History, by Patrick Hicks
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Unidentified Flying Odes, by Dennis Camire
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Innumerable Machines in My Mind: Found Poetry in the Papers of Thomas A. Edison, by Dr. Blaine McCormick
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Evidence of Light, by Marita O'Neill
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Rags of Prayer, by Kevin Sweeney
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The Stream, by Don Moyer
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Child is Working to Capacity, by Tom Delmore
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The Desire Line, by Michelle Lewis
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Tuscany Light, by M. Kelly Lombardi
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The Hard Way, by Jay C. Davis
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Angel of the Heavenly Tailgate, by Annie Farnsworth
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Full Moon Rising: the Best of Moon Pie Press, Volume II, by Alice N. Persons and Nancy A. Henry, Editors
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Poems of Maine in the Nineteen Thirties and Forties, by Brenda Shaw
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Sostenuto, by Karen Douglass
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Essays in All Directions, by Robert M. Chute
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You Can Still Go To Hell...and Other Truths About Being a Helping Professional, by David Moreau
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Singing With the Dead, by Ted Thomas, Jr.
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Socks, by Jay C. Davis
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Early Late Bloom, by Jim Mello
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Old Whitman Loved Baseball and Other Baseball Poems, by Edward J. Rielly
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He Gives Me Flowers, by Gaylord Day Weston
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The Church of St. Materiana, by Anne Britting Olesen
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Lostalgia, by Ted Bookey
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Life Class, by Ruth Bookey
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To the Promised Land Grocery, by Bruce Spang
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Drowning: A Poetic Memoir, by Claire Hersom
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How Many Cars Have We Been Married?, by Ted Bookey, editor
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Safe Harbor: Port Veritas Poetry Anthology, Volume I, by Edited by Alice Persons & Nathan Amadon
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Agreeable Friends, Contemporary Animal Poetry, by Alice Persons, Editor
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The Ur-Word, by Jim Glenn Thatcher
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Ordinary Time, by Kevin Sweeney
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I Have Walked Through Many Lives, by Young Voices - Scarborough
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A House of Bottles, by Robin Merrill
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Floating, by Ellen M. Taylor
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Vivaldi for Breakfast, by John-Michael Albert
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BLACK BOAT BLACK WATER BLACK SAND, by Dave Morrison
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The Lawns of Lobstermen, by Douglas "Woody" Woodsum
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With a W/Hole in One, by Ted Bookey
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What on Earth, by Marcia F. Brown
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Blues in the Night, by Herb R. Coursen
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Through the Loop of Time, by Eva Miodownik Oppenheim
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SARX, by Nancy A. Henry
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ALMOST A REMEMBRANCE - Shorter Poems by Jack McCarthy, by Jack McCarthy
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Thank Your Lucky Stars, by Alice N. Persons
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To Sadie at 18 Months and other poems, by Edward J. Rielly
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Faulty Wiring, by Bob MacLaughlin
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Heaven Jumping Woman, by Pam Burr Smith
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Tell them that you saw me but you didn't see me saw, by Tom Delmore
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The Bird Catcher, by John-Michael Albert
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The Common Law, by James McKenna
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Marengo Street, by Anna Bat-Chai Wrobel
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PASSION AND PRIDE: Poets in Support of Equality, by Bruce Spang
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HOME and Other Places, by Wil Gibson
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Sun Shining on Snow: Poetry from the Senior College at the University of Maine at Augusta, by Ted Bookey
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My First Beatrice, by David Stankiewicz
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Rifles, Rumors, Gin And Prayer, by Jim Donnelly
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Observed From a Skin Boat, by John Holt Willey
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Back East, by Michele Leavitt
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The Widow From Lake Bled, by Kirby Wright
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Burning Chairs, by John P. McVeigh
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Boy at the Screen Door, by Bruce Spang
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JESUS WAS A FEMINIST and Other Poems, by Robin Merrill
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When We Invented Water, by Marcia F. Brown
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Boulders, Birch and Wood Smoke: A Maine Melody, by Stephen A. Cowperthwaite
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Nothing Is Real, by Stanley Jordan Keach, Jr.
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All Four Seasons, by Jim Mello
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Feasting on Air, by Eva Miodownik Oppenheim
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Stable, by David R. Surette
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Compass Rose, by Ellen M. Taylor
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THE WILDEST PEAL: Contemporary Animal Poetry II, by Alice Persons, Editor
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Not Just Anybody, by Bruce Spang
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The Left Side of My Life , by Dana Robbins
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Fancy Meeting You Here, by Alice N. Persons
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Same Bird, by David McCann
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Museum, by Daniel Duff Plunkett
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Imminent Tribulations, by Kevin Sweeney
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Radost, My Red, by Jeri Theriault
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T'ai Chi of Leaves, by Elizabeth Potter
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Saving Nails, by Thomas R. Moore
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At Bunker Cove, by Ralph Stevens
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I Still Feel the Swirl, by Ruth Bookey
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Dreamscape, by Claire Hersom
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That Mischievous Moon, by Jim Donnelly
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Sending Bette Davis to the Plumber, by Jenny Doughty
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'Stitiously Speaking, by Ted Bookey
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MALDEN, by David R. Surette
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Questions You Were Too Polite to Ask, by John-Michael Albert
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LOST and FOUND, by David McCann
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The Arrangement of Things, by Anna Bat-Chai Wrobel
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Big Little City, by Mike Bove
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Be There or Be Square, by Alice N. Persons
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Red Stone Fragments, by Thomas R. Moore
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Hummingbird, by James Breslin
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All You'll Derive: A Caregiver's Journey, by Bruce Spang
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Nameless Roads, by Jim Brosnan
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One Day in One Town, by James McKenna
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Out of Words, by David McCann
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In the Afternoon, by Marcia F. Brown
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After the Parade, by Dana Robbins
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A Stranger Home, by Natalya Sukhonos
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House Museum, by Mike Bove
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Giving It Up to the Wind, by Jack Troy
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More Fun Than Pretty, by Tony Magistrale
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Stones, by Thomas R. Moore
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Playing Solitaire, by Edward J. Rielly
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So Far, by Gretchen Berg
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Homelands, by Ellen M. Taylor
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Frida's Boots, by Dana Robbins
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Tangled, by Antonia Lewandowski
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Tonic, by David R. Surette
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People, Places, Poems, by David McCann
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Read To Me Some Poem, by Maryli Tiemann and Alice Persons, Editors
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Language as a Second Language
by Ted Bookey – copyright 2004
ISBN 0-9765166-5-9 $10
Read a sample
Reviews for Language as a Second Language
by George Wallace, editor of Poetry Bay
These are fearless poems that dance on a tightrope of surrealism, wit and irrepressible energy. The tone ranges from scatalogical to sacred. Like the women in one poem who would 'Spank the air like wet fireworks,' or else eat a frog instead of kissing it into a prince, these poems laugh at convention and punish the night like so many roman candles.Ted Bookey offers us mayhem, madness - and then the unexpected tenderness and intimacy of 'His Beautiful Women,' or the sobering moral reflection of 'Kein Warum.' Handle with care - there is dangerous fun inside this book.
by Wayne Atherton, editor of Cafe Review
Ted Bookey's latest book of poems Language As a Second Language contain many delightfully humorous romps infused with a deft sense of familial affability. NU SHU (for Nancy Henry), is one of the rare poems written by a sensitive, intelligent man who truly understands woman-ness. Another of his poems, LISTENING TO CORELLI IN NEW ENGLAND, is a good example of Bookey's equally serious perspective on life; he works the wide range of human emotion with great care.
by Ed Pomerantz, Playwright
Language As A Second Language is pure pleasure. What is so impressive is its range and variety -- so many different voices -- in tone and character I haven't heard before. I Took Her Hand In Mine and Listening To Archangelo are really new and unexpected. And of course the "old" Bookey is in top form, particularly, for one, in the title poem and especially Torture, With Eggs, my favorite, which isn't only a great poem, but a terrific short story and one act play as well!
In this time of paralysis and despair, thanks for reminding me that the act of language and poetry really counts.
by John Berbrich, editor of Barbaric Yawp
A poetry chapbook that you can have some fun with if you pay attention. Bookey plays with words and some of the poems are filed with puns. Bad Poem begins "Bad Poem verses the page / It's the qualm before the form" and concludes, "this is the bottom line." Although humor shines from every page, Bookey is not merely having fun and includes serious work among the witticisms.
by Baron Wormser, Poet Laureate of Maine
Bookey's poetry is exactly what poetry should be - irrepressible. At turns meditative and playful, he has his astute finger on the mystery of the human pulse. His language is scintillating, wry and overflowing with brio. His humanity is always palpable.
Sample from Language as a Second Language
Language As A Second Language
I rushed tingling to the men’s room where I sat blissfully copying her words to my notebook after my Bronx cousin had spritzed across the restaurant, “Hey, you, waideh! Where’s the wawdeh that I orduhed for my dawdeh ! Someone could shrivel up & bust of thirst in here.” Awesome, I thought, that any language could be So fraught with such exuberant fraughtage.
Nowadays it is the nuggeted poetry of my neighbor Ernie Pratt I envy & scribble down, that Down-East Maine-speak: if I say Nice day, Ernie, how he drawls back, Yep, But when them clouds bust It’s gonna po-uh buckits!
Another time & place words flowed from an urban spigot. Here, far from the seltzer of the city, I am the cause of mirth in others—over 20 years, & for as long as I am living here, I still can’t pass: what gets lost in any good translation is translation. As for me Maine remains a second language, as English did for Conrad & Nabokov—Oh yeah, I only wish !
So I’m in the Gardiner diner & when the waitress says You from New York City, right ? I fake big surprise, say Bronx, howcudja tell ? She says she just knows when I open my mouth & out comes a cuppacawfee
Yeah, I say, but really, can’tcha tell me how’dja know, so she gives me: You are not the only one can talk New York Smartass. The next booth guffaws, so I shut up that mouth, that only loves & wants to speak for everything it hears speak to it, & licks its chops for the sunshine of things served up in words: it’s what a poet does, no matter where. & that was long ago the job I signed on to do for life.
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